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Joseph Grammer, Author

The stories of author Joe Grammer.

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Riastrad

Emert Cooley rode drunk out of the bar at two forty-five, high as a fighter pilot and laced with pain. Forest air whipped the flush from his cheeks like his childhood blanket, cool at the end of a long day. But what was long at age seven? Not even a whipping.

“You’re a chump,” he said under the motor sounds. “Go piss under the covers, tell a story about that.”

A belch fell out onto the steering wheel. His stomach drooped over a cold belt that dug into his crotch. Too much Guinness and fries, but he could still knock the tar out of six kids like in first grade when they wouldn’t let him play football. Then go to starting QB with the girls grabbing his hair.

Reid and he used to share that old grimy sheet with the white stars, huddle up and trade stories about soldiers and talking dogs and shy girls from Germany and Japan. Reid always told them best.

“Once there was this kid named Layne who could fly, but only when someone jumped out and surprised him. So he told his friend Dan the Bulldog to pop out of a different hiding place every day and get him started. In the garbage can, behind the fridge, under the space between the porch and the outside stairs where the garter snakes live. Dan was really good at it. Layne flew to Dublin and drank real Guinness with the old guys like Grandpa, and he fought a bear by dropping bombs on him. Dan made Ovaltine shakes for Layne when he came home.”

In the all-night diner on the way home he’d shoved away meatloaf in disgust. “What is this—dog?” Screwed up the taste of chocolate malt, too. No tip.

He drank in secret, in the morning, at work. Cassie too busy for appreciation, never mind her magazine didn’t even sell. Every day for the past two weeks he’d stopped in at the Red Branch on Route 20 to find his brother. Near Easter he got this way.

“Hey Reid, hey Reid.”

Then he’d settle down for a draught, just one, and Carl Tynecastle would sidle up with a shot.

“Left hook, right hook, left hook, right hook…”

In the room they’d always whispered a shade louder than nerves could handle; a little-kid provocation to dad’s palm. Long Hand Luke, the Army called him.

Emert rammed his head into the doorpanel to quell the liquor, but it didn’t unmake his choices. A whippoorwill trilled in the yard. Down at the Red Branch Larry Fisk had put on “I Don’t Want to Die Tonight” by the Mercurials and they’d sung along in boozy 4/4 time

 

Tell me love, tell me true
Say that I’ll end up with you
Honey, you’re my guiding light
And I don’t wanna die tonight.

 

 

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About Joe

Joseph Grammer - Author of novels and short stories

Joseph Grammer is a writer and editor who lives in Alexandria, VA. He currently serves as a Curriculum and Technical Report Writer for the Suicide CPR Initiative and Managing Editor for NOVADog Magazine, Northern Virginia’s main canine publication. He also works in a freelance capacity with different clients, helping them refine message strategies, edit articles, and other linguistic business like that.

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Read Interviews with Joe

On reaching the reader:

To me, directly attempting to teach the reader is heavy-handed. It’s too close to moralizing, and I think one of my criticisms about myself is that I unconsciously do this from time to time. At best, I hope to show readers a glimmer of what is possible through the lens of another person—often someone who appears different from them.
→ Read the rest on Strand’s Simply Tips

On forming characters:

I tried to take characters who were similar to me and characters who were very different from me and force them to interact. My opinion is that diversity breeds peace and love, but there is almost always an initial friction or awkwardness when individuals of different mindsets, worldviews, or backgrounds come into contact with one another.
→ Read the rest on Missy Writes


Why I Write

I write to push myself to connect. It’s not an easy business for me—not in a whining, self-pity way, but realistically. My hardware has issues with it. I also write to give others a worthy sense of participation with something that breathes and moves in their head. It’s fun to imagine and follow a plot, and my goal is to give you that experience.

The stories I make can seem weird, or disturbing. I’d like to qualify those perceptions by saying I strive for satisfaction and inner peace on a daily basis. I cook food with real nutrients, talk to random people on the subway, identify what I’m feeling and why. When my brain says, “Do this, it’ll make you happy,” I ask it questions.

My basic purpose in breathing and moving is to forge healthy relationships, and to help others do so, too. That said, some of the things I write deal with unhealthy aspects of connecting and being alive. I dislike bland optimism, and I enjoy a full portrait of the human crapshoot.

Is this a lame way of justifying why I might offend someone? Hopefully not. But to write is to divide, in many ways, and it can only be helped to some extent. I ask you to remember that, at heart, I’m coming from a goal of peace and other passé notions from Earth’s major religions.

Love,
Joe

Acknowledgements

The author is indebted to Anna Tulchinskaya, for her artistic skills, devotion, and patient mind; his family, for their unconditional support; and to his friends, who accept his odd ways and only occasionally heckle him.

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