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Joseph Grammer, Author

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A Squid for Mr. Calaway

My therapist says love goes beyond mere sensual pleasure, but she doesn’t eat baby squid from Vogliano’s with butter and garlic every Wednesday. If she did she’d drop her doctorate in the trash.

“So this food is the only thing you feel you love?”

“Is that weird? I mean, it makes me happy.”

“It’s natural to love what, or who, makes you happy.”

“No who for me, please.”

She nods without moving any part of her face.

“You prefer to be alone.”

“Prefer? I don’t know what I prefer. A fried cephalopod with crunchy tentacles.”

She leans back in her chair, steeples her fingers. Her eyes are a tenth the size of a giant squid’s.

“Other people—family, friends. How do you feel about them?”

I test Dr. Lane’s comfort with silence. When I’ve run out the clock she says, “Enjoy your dinner, Mr. Calaway.”

I want to explain that it’s more than a meal—it’s a marine bonanza. But instead I hustle my way to 2nd Ave, avoiding the blight of Bellevue Hospital, and choose my companions for the evening.

“Prego, un chilo di calamari.”

Nailed the accent. The old woman wraps two-point-two comforting pounds in a plastic sack.

“Grazie a Dio!”

“Eh?”

“Non, non importa.”

Into the dusk with my mollusks.

 

 

 

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About Joe

Joseph Grammer - Author of novels and short stories

Joseph Grammer is a writer and editor who lives in Alexandria, VA. He currently serves as a Curriculum and Technical Report Writer for the Suicide CPR Initiative and Managing Editor for NOVADog Magazine, Northern Virginia’s main canine publication. He also works in a freelance capacity with different clients, helping them refine message strategies, edit articles, and other linguistic business like that.

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Read Interviews with Joe

On reaching the reader:

To me, directly attempting to teach the reader is heavy-handed. It’s too close to moralizing, and I think one of my criticisms about myself is that I unconsciously do this from time to time. At best, I hope to show readers a glimmer of what is possible through the lens of another person—often someone who appears different from them.
→ Read the rest on Strand’s Simply Tips

On forming characters:

I tried to take characters who were similar to me and characters who were very different from me and force them to interact. My opinion is that diversity breeds peace and love, but there is almost always an initial friction or awkwardness when individuals of different mindsets, worldviews, or backgrounds come into contact with one another.
→ Read the rest on Missy Writes


Why I Write

I write to push myself to connect. It’s not an easy business for me—not in a whining, self-pity way, but realistically. My hardware has issues with it. I also write to give others a worthy sense of participation with something that breathes and moves in their head. It’s fun to imagine and follow a plot, and my goal is to give you that experience.

The stories I make can seem weird, or disturbing. I’d like to qualify those perceptions by saying I strive for satisfaction and inner peace on a daily basis. I cook food with real nutrients, talk to random people on the subway, identify what I’m feeling and why. When my brain says, “Do this, it’ll make you happy,” I ask it questions.

My basic purpose in breathing and moving is to forge healthy relationships, and to help others do so, too. That said, some of the things I write deal with unhealthy aspects of connecting and being alive. I dislike bland optimism, and I enjoy a full portrait of the human crapshoot.

Is this a lame way of justifying why I might offend someone? Hopefully not. But to write is to divide, in many ways, and it can only be helped to some extent. I ask you to remember that, at heart, I’m coming from a goal of peace and other passé notions from Earth’s major religions.

Love,
Joe

Acknowledgements

The author is indebted to Anna Tulchinskaya, for her artistic skills, devotion, and patient mind; his family, for their unconditional support; and to his friends, who accept his odd ways and only occasionally heckle him.

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